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Tom Fedro and Gino Savarino live and work just outside of Chicago. They
owned a gallery for many years in Arlington Hts, IL. Currently, They are represented by galleries in Europe, Canada, Asia,
Australia and the United States and recent special projects include pieces commissioned for the Broadway show "Rent",
the 40th anniversary of "The Second City" and Chicago's "Cow's on Parade". Corporate commissions
include pieces for IBM, Hotel Allegro in Chicago, historic Navy Pier, Decor magazine, Toogood winery, Sweet Riot Candy, Trump
Place, Extreme Home Makeover and Washburn Guitars. Tom & Gino
have many styles to choose from, including; Original Abstract Art paintings, Abstract Music , Decorative art, Cityscapes,
Abstract Fine Art, Modern Abstract Art, Contemporary Abstract Art, Art Deco, Landscapes, Abstract art, Abstract Original Artwork,
Figures, Faces, Wine art, Nude Paintings, Large Abstract Art , Inspirational, Geometrical, Expressionist, Impressionist, Music
art , Wall Decor , Cityscape , Landscape , Abstract Fine Art , Modern Abstract Art , Contemporary Abstract Art , Impressionism
, Expressionism , Art Movement , Modernism , Outsider Art , Urban Art , Abstract Art Gallery and more. They use mostly acrylic
and oil colors presented on single, diptych and triptych canvases as well as extra large rolled canvas and sculpture. Tom Fedro and Gino Savarino are self-representing Chicago artists and like
to experiment with various styles. In October of 2006 Tom Fedro - Fidostudio and Gino Savarino opened Metaphor's Gallery
in Downtown Arlington Hts. Illinois. Representing the works of Osnat, Wescoat, Gregory, Rosen and many other well know artists
worldwide. Abstract Art - - an introduction to abstract art, what it is, how it developed.
By Marion Boddy-Evans, About.com "Of all the arts, abstract painting is the
most difficult. It demands that you know how to draw well, that you have a heightened sensitivity for composition and for
colours, and that you be a true poet. This last is essential." -- Wassily Kandinsky. In
its purest form in Western art, an abstract art is one without a recognisable subject, one which doesn't relate to anything
external or try to "look like" something. Instead the colour and form (and often the materials and support) are
the subject of the abstract painting. It's completely non-objective or non-representational. A
further distinction tends to be made between abstract art which is geometric, such as the work of Mondrian, and abstract art
that is more fluid (and where the apparent spontaneity often belies careful planning and execution), such as the abstract
art of Kandinsky or Pollock. Also generally classified with abstract art are figurative
abstractions and paintings which represent things that aren't visual, such an emotion, sound, or spiritual experience.
Figurative abstractions are abstractions or simplifications of reality, where detail is eliminated from recognisable objects
leaving only the essence or some degree of recognisable form. In Western art history,
the break from the notion that a painting had to represent something happened in the early 20th century. Impressionism, Fauvism,
Cubism and other art movements of the time all contributed by breaking the "rules" of art followed since The Renaissance.
Impressionism saw painters not "finishing" their paintings. The Fauvists used colour in a non-realistic way. Cubism
introduced the idea of painting an object from more than one view point. From all of these the idea developed that colour,
line, form, and texture could be the "subject" of the painting. Abstract Expressionism,
which emerged in the 1940s, applied the principles of Expressionism to abstract painting. The action painting of Jackson Pollock,
in which paint was dripped, dropped, smeared, spattered, or thrown on the canvas, is a good example. In
1864 the critic Ernest Chesneau wrote that if the trend the Impressionists were setting continued, paintings would eventually
consist of nothing but "two broadly brushed areas of colour". What would he have thought of the art being produced
100 years later?
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